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ncycgdxhl
Wysłany: Nie 22:20, 27 Mar 2011
Temat postu: Chinese national wind instrument playing technique
Chinese wind instrument playing techniques of national
Encyclopedia of Music and Dance volume> Release Date: dance clothing Together to dance the role of the external shape is another important component. Such as hair, makeup and other decorative dress, dance on the form to the role of the external shape of the dance clothes and ornaments of these two parts (this is also the concept of this dress on the dance content.) However, both the dance clothes or accessories. They point to all dance the role of the external shape. So we said, is the role of dance costumes dance to the establishment of the first premise. Because of the role of dance, only to dance the role of the external shape of the dress requirements. So visit the original religious dance, though it involves the phenomenon is far from the costumes dance costumes are perfect and well-developed, but because it appears to be set up in dance costumes the most important prerequisite - dance roles, so it's costumes dance costumes budding phenomenon is . From the original self-entertainment dance dancing with the original religious cf, the dance costumes dance at the cradle of the fact that the original religion will be clearly apparent. The reason why the original self-entertainment dance costumes dance does not come first and foremost prerequisite for budding, because it is a spontaneous high spirits and dance acts. It originated from the primitive joy of motivation. The motivation for the early people to happiness, and often the survival of people with early stake in the thing or things. At that time, numerous animal】 primitive, cave cave nest, eat berries, birds and animals eat raw, nascent 【,】. Such a sinister living environment and living conditions of the people placed in front of the beginning of the most important issue is survival. Resulting, survival becomes the most primitive emotions affect the dynamic opportunity. When the bloody and ferocious beast in desperate Sisha, but when it is finally over; when dressed with a vivid and motion simulation of birds birds caused confusion, and can close it to hunting when it is; when after a tragic The war to defeat the other, plunder to food, tools, such as spouses and survival of territorial interests; success naturally led to the ecstasy of passion for dance in the early timing of the public. Words inadequate. To be expressed in words; upset enough to dance; is the ancient place of the dance scene for the excellent theoretical generalization. Characteristics of spontaneous improvisation which is self-evident. This feature, but also to improvise in the process of reproduction of simulated hunting animal In other words, self-entertainment of the no clear sense of the role of dress. Or, primitive dance dress up in myself and others the role of animal consciousness, still in a hazy, ambiguous state. Therefore, it involves clothing phenomenon, not present the reach of other wind instrument. (-) Suona Class Due to the geographical environment, customs and other aspects of the impact, suona playing style has also created a different genre, each faction has its distinctive playing techniques. Northeast School: Circular ventilation; Shandong School: Anti-double spit, spit against the three, rebound tongue; Henan School: rubbing sound; Hebei School: Xiao tone through hole; Shanxi School: Flying fingers (or arm flutter). Today, many suona virtuoso fusion of the strengths of the parties, through the air, throat, tongue, lips, and other specific factors that closely. The use of spit sound, guttural,
timberland portugal
, vibrato, flower tongue, gas sound, gas and other techniques arch vivid sound to simulate a variety of birds. If , with the historical simulation lark audio techniques, sound techniques with simulated gas cap, little Swallow, simulation techniques used to play sound cuckoo, with flowers and other tongue cicada simulation techniques. Example 4 sound. If <happy breeder Chinese national wind instrument of the rich and varied playing techniques and profound, I can not list them very thoroughly and analysis. Playing techniques described above is for induction, review and summarize the needs, the relative classification list. In the actual playing process. Many techniques are not isolated a single manner, but in close coordination with each other and thus achieve the desired performance results. Therefore, we should not be given a label-style playing techniques to understand and use. Version.
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