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3 Formanyyearsearlycin mbt discountemawasconsideredtobestructuredarounda con?ictbetweentwocompetingaesthetics:realismasrepresentedbythe Lumi`eres’actualit′esandfantasyasrepresentedbyM′eli`es’s f′eerie?lms. MorerecentlyGunninghasnotedakeycontinuitybetweenthesesupposed opposites.Untiltheemergenceofaproperlynarrativecinemaaround1908– 14?lmmakingwasprimarilyconcernedwiththepresentationofspectacle whetherthepresentationoflandscapesandeventsfavouredbytheLumi`eres orthetrickerypioneeredbyM′eli`es.Gunningcallsthisnon-narrativecin- emathecinemaofattractionsarguingthatsuch‘apparentlydifferent approaches.uniteinusingcinematopresentaseriesofviewstoaudi- encesviewsfascinatingbecauseoftheirillusorypower’. 4 Themostextreme versionofthisuseofactuality?lmwastobefoundinHale’sToursachainof cinemaswhichuntil1906exhibitednon-narrativetravelpiecesusuallyshot fromtrainsincinemasdesignedtosimulatecarriagescompletewithcon- ductorsandsoundeffects.Howeverasearlyas 1895RobertPaulandH.G. Wellshadappliedforapatenttoconstructamorecomplexprojectiondevice cumexhibitionspacetosimulateafantasticjourneythroughtimesimilarto thosedescribedinWells’sTheTimeMachine(1895).Althoughtheirplans cametonothingtheexperiencetyilai: nike high heels louis vuitton outlet http://www.darknessevolution.fora.pl/guild-recruitng,17/is-there-a-meaning-to-life,38605.html#46881 |
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