john9221
ORANGE EKSTRAKLASA
Dołączył: 25 Sty 2011
Posty: 1674
Przeczytał: 0 tematów
Ostrzeżeń: 0/5
Skąd: England
|
 Wysłany: Czw 12:22, 10 Mar 2011 |
|
|
tyanddeath.Doesthisappropriated
iconographywhichreducestheworldtoaseriesofpictogramsoriso-
typesconfirmthatwedealingwithbanalartorartaboutbanality?
Appropriationofadifferentkindisfoundintheworkoftheyoung'Brit-
pack'artistDamienHirst.Fromhisdeadcowsandsheepwhichallude
tosuchsourcesasRembrandt's'TheFlayedOx'tohisrecent'dot'
paintingswhichalludetoPeterTaaffe'ssimulationofOpArtduring
the'golden-age'ofNewYorksimulationisminthe1980sHirst'swork
hasacknowledgedtheendlessentanglingof'high'and'low'subjectsin
theiconographyofEuropeanart.
Atthebeginningofthisessayitwasaskedwhetherthereisanything
ofvaluetobegainedbycouplingartisticpostmodernismwithsocial
98
POSTMODERNISMANDART
postmodernity.Welliftherearenosimplealignmentsbet yilai:
[link widoczny dla zalogowanych]
christian louboutin outlet
http://www.cesarstworpg.fora.pl/ruiny-twiedzy-aki,31/on-the-makaloa-mat-londonjack-publishedaaohem,7007.html#17165[link widoczny dla zalogowanych][link widoczny dla zalogowanych]nthe
processesofculturalheterogeneityandsocialfragmentation-align-
mentsthatenableustodistinguishbet[link widoczny dla zalogowanych]n'good'and'bad'art-wecan
atleastconcludeourinvestigationbyconfirmingthatsomeformsof
contemporarypracticeestablishmoreinterestingandmorecritical
dialogueswithmodernismandthesociallandscapeoflatemonopoly
capitalismthanothers.InthecaseoftheAmericansculptorRichard
Serrawefindworksthatconfrontthosepublicspacesthat'shopping
mall'postmodernismdeclarestohavevanishedintothesimulated
spacesofreplicationandminiaturization.
Post został pochwalony 0 razy
|
|
