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Dołączył: 11 Kwi 2011
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PostWysłany: Pon 9:17, 18 Kwi 2011  

The back light needs to be placed backward the subject opposite the camera but high above both so that naught of the light works directly into the camera. This light will create a slight glow on the back of the subject and thus divide it from the background. This prevents the subject from looking 2 dimensional on the membrane. It is periodically referred to as the hallo efficacy. [link widoczny dla zalogowanych]
Beyond Three-Point Lighting
The opener light is the basic light used to illustrate a subject. It is ordinarily positioned 15 45 degrees from an side of the camera and angled down 15 45 degrees from upon the subject. This light represents the primary source of light in a scene simulating the sun [link widoczny dla zalogowanych], a window, a light lamp alternatively some other source of light.
Key Light
Changing the Mood
If you are doing a comedy know next to nothing ofmething a little lighter in spirit [link widoczny dla zalogowanych], you will want to turn the fill light up. By increasing the strength of the fill light you subject will be more evenly lit and you will create a jollier mood. If you are doing a more dramatic chip you can rotate down the fill light and boost the measure of shadow. Dark lighting like this aids create suspense and tension.
Fill Light
The three-point lighting system is the maximum common lighting contrive used in film pictures. It uses a key light, a fill light, and a back light (or rim light). Using three lights from three assorted intentions creates a sense of depth on folk and objects guaranteeing everything will see three dimensional.
Of lesson there are many variations to this scheme and additional lights are constantly added for needed, merely as 95% of your video production, this easy schematic will do. Once you have mastered this technique and are capable to build and sustain a general mood throughout a film, feel free to experiment as many as you favor. However, until you do, dont start playing around too much or you could ruin one otherwise good movie with meager lighting.
After the key light is positioned you will notice a coarse shadow on one side of the subject inverse the key light. The fill light is meant to depress the shadow but no eliminate it entirely (shadow gives a sense of depth). A fill light ought be placed on the opposite side of the key light but needs to be about half as bright and no positioned quite as high. Do not place it by the accurate same angle as the key light. It is meant to simulate other light sources or light that is being reflected off other objects.
Whether you are a big ration maker shooting on 35mm film or an neutral film mentor going on a shoe string allowance with a borrowed digital camera, there is one entity you will need or no one will ever discern your film: Lighting.
Read on
Night Photography
Reproducing Photos in a Pop Art Style
Lesson aboard Drawing Reflected Light on a Spheroid
Back Light (Rim Light)


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