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PostWysłany: Nie 18:25, 03 Kwi 2011  

Far away from the luxury art of the stage


State Minister information. Li Longyun script and language has always been known to people, the kind of accomplice, hack,[link widoczny dla zalogowanych], West cub and many other It is complete and every scene is simple and delicate, dramatic character and rely on the fate of the characters intertwined completion of radiation. Now performance collage, exaggerated and fragmented, missing characters who live, dramatic tension was gone, became a farce, live drama, comedy and vaudeville, and the skewers. So I can not understand is performed in the original script, said Chen Wen-tzu, was the aggressor as the future Buddha, his body strapped to the cross and burned to death but never yield to the master at Temple abbot Brightness ... ... so many soul-stirring all the characters are deleted, resulting in today's show just become the national evil display. Why omissions, these critical content? Unfortunately, time and space to go on those omissions, however, was the so-called cross-border film was appreciated by the squeeze technique, is the scene we see the layout of the bells and whistles, Folk exhibition overwhelming human wave tactics fragmented group play, will play behind the scenes end to the historical background of the stage, and even the Empress Dowager Cixi are general rush shadow over field, yet so far away is the art of ignoring its own laws of drama, speech has become a revolving door and pull for foreign films, the characters laugh at foreigners,[link widoczny dla zalogowanych], or the kind of External, formal, flashy,[link widoczny dla zalogowanych], and thus replacement of the most important content and ideas. A play, the director of course, the second creation, the necessary cut, re-combination, and even ideas are also needed, but must be based on respect for the script itself and the laws of their own fear of Dramatic Arts instead of provided that the new is the move, the arbitrary and unbridled extravagance grandiose vanity is not desirable. Drama stage, yet so far away, infinite landscape, full of temptations, but also easy to self-laid trap to fall into and feel good, thought it was beautiful, but in fact full of loopholes. In particular, our reflection is the flashy extravagance of the recent stage of this wind, and not only the director, it is not from the History and folklore, courts, and costumes have become a selling point, spared no expense, throwing spread money to map a large production. However, Philippines can be described as luxury battle, and has been a Could it be the only way we can match the number of National Grand Theater to be able to create fine art of it? This number enough to play a row of several. This opened the first, play it not in line to the large areas of the movie yet? Idea of ​​making movies for theatrical effect may indeed be alert. In fact, good drama, has always been simple, ancient Greek tragedy are not so extravagant performances ever, Shakespeare's Renaissance heyday of theater, stage props, the scenery is simple, but both armies fighting on behalf of two people,[link widoczny dla zalogowanych], But then a mighty people also use the four performances, as we have never mobilized hundreds of workers flooded the stage. Chinese drama through centuries of history, our forefathers who directed classics,[link widoczny dla zalogowanych], there is a calculated one, have never had such a luxury. Of course, I think of the actors a few years ago by the Shanghai Kunju Liang Guyin rehearsal, Boulevard invisible, big flavor will be short, any good, including all the arts, including drama, do not rely on lavish productions to bluffing, to charm people, to please people. It may be Yaochong in the market at one time, but very far away from the arts, because it only has only one table clothes rack, dressed in a curve outline based on the gorgeous but not life-Jin Pao. 60 knees looking Newsweek
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