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Cheap True Religion Skinny What is Abstract Art 
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Dołączył: 25 Mar 2011
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PostWysłany: Pią 14:10, 13 Maj 2011  

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tract Art is a vast movement in American painting that was first seen during the late 40s and then become a predominant trend in Western painting during the 50s. The top American Abstract Expressionist painters were Jackson Pollock, Willem de Kooning, Franz Kline, and Mark Rothko. Contemporaries included Clyfford Still, Philip Guston, Helen Frankenthaler, Barnett Newman, Adolph Gottlieb, Robert Motherwell, Lee Krasner, Bradley Walker Tomlin, William Baziotes, Ad Reinhardt, Richard Pousette-Dart, Elaine de Kooning, and Jack Tworkov. Several of the artists worked, lived,[link widoczny dla zalogowanych], or had their work shown in New York City.
Though it is the commonly accepted designation, Abstract Expressionism is not an appropriate title of the type of artworks created by the artists. Indeed, the movement was made up of numerous different painterly styles that were different in both technical application and quality of work. Despite this differentiation, Abstract Expressionist paintings share a number of common aspects. They are essentially abstract - they consist of forms that were not assumed from the visible world.
They furthermore master unrestricted, spontaneous, and individual emotional expression, and they exercise wide freedom of skill and application to create this outcome, with particular importance exerted on the use of the variable physical nature of paint to call upon expressive qualities (for example, sensuousness, dynamism, violence, mystery, lyricism). They express likewise emphasis on the unstudied and intuitive use of the paint in a kind of psychic improvisation in the trend of the automatism of the Surrealists, with the comparable aim of finding the strength of the creative subconcious in art. They demonstrate the conscious ignorance of normally structured composition built up with discrete and segregable aspects and their replacement with a individual unified, unchanged grounds, network, or other image that exists in unstructured space. Last, the paintings fill big canvases to create for these aforementioned visual elements both monumentality and engrossing strength.
The leading Abstract Expressionists had two iconic forerunners: Arshile Gorky, who painted suggestive biomorphic forms by using a free,[link widoczny dla zalogowanych], delicately linear and liquid paint technique; and Hans Hofmann, who created dynamic and harshly textured brushwork in his abstract but conventionally constructed paintings. Another early and key influence on nascent Abstract Expressionism was the arrival on the Western shores in the late 1930s and early 40s of a whole host of Surrealists and other important European avant-garde artists who were fleeing the Nazis in Europe. The European artists quickly influenced the native New York City painters and allowed them a more intimate perspective of the vanguard of European paintings. The Abstract Expressionist movement itself is generally considered as having commenced with the pieces style by Jackson Pollock and Willem de Kooning in the late 40s and early 50s.
With regard to the differentiation of styles of the Abstract Expressionist movement, three broad approaches can be isolated. First was action painting which is signified by a loose, quick, dynamic, or powerful handling of paint in sweeping or slashing brushstrokes, and in technique in large part dictated by chance, for example dripping or spilling paint right onto the canvas. Pollock first practiced action painting by dripping commercial paints onto a raw canvas creating intricate and tangled skeins of paint into evocative and suggestive linear patterns. De Kooning employed very vigorous and expressive brushstrokes to create richly coloured and textured images. Kline utilised strong,[link widoczny dla zalogowanych], sweeping black strokes onto white canvas to build starkly monumental forms.
The following area with Abstract Expressionism is represented by a host of varied styles beginning with the lightly lyrical, delicate imagery and fluid shapes in paintings by Guston and Frankenthaler to the visibly structured, forceful, almost calligraphic works of Motherwell and Gottlieb.<br


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